BMW devotees will be well used to the extra-glitzy materials and the technological glare of the firm’s current interior design philosophy.
The days when the ambient quality and luxury of Munich’s cabin treatments were deliberately understated are long gone. Some time ago, the firm decided it needed to take on both Audi and Mercedes in that respect, and it conjured driving environments of readily apparent richness and lavishness. Pretty soon after that, the G20 3 Series got an interior full of boldly hexagonal chrome and high-tech, widescreen wizardry – and that’s a treatment the 4 Series now inherits.
It’s an interior in which it’s very easy to make yourself comfortable over long distances. It feels expensively hewn and appointed and is broadly easy to interact with and to configure to your liking. The driving position is only marginally lower and more snug than that of a 3 Series. You wouldn’t call it sports car low, but then, with ease of access and long-range visibility in mind, neither should it be. The control layout is excellent, with very generous adjustment of the steering column possible. Slightly wide A-pillars impinge on forward visibility to an extent, but only as is broadly common among modern cars.
Instrumentation is all digital, with the rev counter and speedometer displayed around the lateral extremes of an octagonal binnacle screen. The display themes change with the selected driving mode, but few are as easily readable as they ought to be and none of them provides a simple pairing of circular dials that could be read so easily at a glance. In cars with BMW’s optional head-up display, of course, you can never claim to be ill-informed of your road or engine speed, but on behalf of those who like to pare down and simplify what the car is telling you in order to make longer trips less tiring, BMW could still do better.