Racing legends, including Peugeot's 208 T16, took to the track
The sun shone down on the 20th anniversary of the Goodwood Festival of Speed
Motorbikes, sidecars and dragsters all took on the famous hillclimb
Celebrities and star cars entertained the crowds
Plus some very special cars, including Porsche's 918 Spider, had their moving debuts
Plenty of smoke and rubber for the crowd to enjoy over the three-day event
This year's rally stage was lengthened for better spectator access
This year’s highlights included 50 years of the Porsche 911 three-pronged sculpture at Goodwood House
One of the most hotly anticipated cars of the year, the McLaren P1, was seen moving for the first time
Aston Martin's CC100 Speedster concept carried on the firm's centenary celebrations
Thousands turned out to line the hillclimb course
The crowds weren't disappointed, as modern supercars and classic racers took on the hill
It didn't go smoothly for everyone, however
The annual supercar parade was one of the festival highlights
Jaguar's Project 7 made its first appearance, perhaps hinting at future models
Jenson Button was one of the lucky few to drive the P1
A colourful display wows crowds near to Goodwood House
Manufacturer stands, vendors and merchandise shops all jostled for space
Legendary racers were reunited with their winning cars to take on the hill
Motorcycle riders give in to the temptations of the crowd, perfect for some showing off
Each driver wants the best start possible, the first straight is one of only a few on the hillclimb course
Renault's Twizy F1 proved that power doesn't need to mean a big body
Plenty of private collectors brought along their own supercars
While on the rally stage, spectators could get closer to the action than ever before
Supercars wait to parade down to the start line
The Red Arrows annual air display is a definite crowd pleaser
The P1 got plenty of camera attention
Every driver at Goodwood wants the perfect start - essential for a fast time
Rare and exotic supercars formed a moving display for crowds
Even the gods of weather know about Goodwood’s place in the world. The sun was never going to refuse to shine on the 21st Festival of Speed.
This year it cast a vintage glow on all four days of the world’s greatest motoring festival, which returned the favour by entertaining bumper crowds with a magic mixture of dazzling new arrivals, oddballs and spectacular stalwarts.
Each festival starts by commemorating anniversaries and setting themes. This year’s highlights included 50 years of the Porsche 911 (the subject of Gerry Judah’s soaring, three-pronged sculpture at Goodwood House), plus the centenary of Aston Martin, the 50th anniversary of McLaren Racing, the 50th anniversary of Jim Clark’s first world championship in 1963, and the event’s own special anniversary. It is two decades since founder-kingpin Lord March looked out of his bedroom window to estimate crowd numbers at the first festival — held for a bunch of friends who owned nice cars and bikes — expecting 2500 people, only to be greeted by 25,000 instead.
As it has done for the past three years, the festival began on Thursday with the Moving Motor Show, a ‘selling’ event for car makers that makes it possible for invited customers to test production cars on a route around the estate. This Thursday event struggled in its early days, but those with commercial interests this year praised its effectiveness. The outbreak of enterprise also brought an unprecedented number of Taj Mahal-style mobile showrooms, topped by a temporary Ford structure so high that from its top you could see over Goodwood House to the verdant countryside beyond. No UK motor show? It’s just not true.
Goodwood understands car retailing, and the crowds expect and support it. FoS-TECH showcases hillclimb runs of green prototypes you’d only see on plinths elsewhere, while the First Glance class features mainstream models that are interesting but hardly supercars. Two eye-grabbers in these groups were Alfa Romeo’s pretty, promising 4C and Volkswagen’s petite XL1 diesel-electric ‘efficiency car’, which made several brisk runs on battery power alone.
The number of rare cars and one-offs was amazing. Headline grabbers included the stunning Peugeot 208 T16 Pikes Peak racer, in which Sébastien Loeb recently sliced 92sec off the record time for the famous American hillclimb. Bentley showed the potential of its Continental GT3 car (it seems to go even better than it looks) and Audi had its Le Mans winner, still covered in rubber, dust and bugs from La Sarthe.
These days, most of the hill runs are demos. They stopped timing F1 cars several years ago after Nick Heidfeld stopped the clocks at a hairy 41.6sec, but Justin Law showed fast driving was still in vogue with a time of 45.95sec for the 1.16-mile course in his family’s Silk Cut Jaguar XJR8/9, a late ’80s Le Mans car. Close behind were Gregory Guilvert in Loeb’s T16 (he managed 45.86, but what would Seb himself have done?) and Jonny Cocker, who scored a laudable 47.34sec in the battery-powered Drayson Racing Lola, which only two weeks ago set a world land speed record for electric cars.
Talking LSRs, the estate’s famous cricket pitch, on which the laws of the game were written, became home to the greatest-ever gathering of land speed cars. Highlights ranged from Fiat’s 21.7-litre aero-engined ‘Mephistopheles’, the last car to set a record on the public road, through Henry Segrave’s Golden Arrow, which beat pretenders with twice the power using light weight and good aerodynamics, to Brooklands’ beautiful Napier-Railton Special and the turbine-powered, wheel-driven Bluebird that Donald Campbell took to a record in the Australian desert. Also on hand was Bloodhound SSC, Britain’s latest land speed contender, which aims to crack 1000mph in South Africa next year.
Goodwood is justly famous for its rich alternatives to the central track events, such as stunt bikers, rally rides, 4x4 experiences, concours and air displays, but the way people drifted back to the grandstands for two special hill displays — Formula 1 cars, for which seven teams and a bevy of famous drivers turned up, and road-going supercars — showed how important the hill runs are to this most car-literate of crowds. The only displays that topped them were three deafening aerial events: the Red Arrows on Friday, Vulcan on Saturday and the Eurofighter on Sunday.
The Supercar Paddock was packed 10 deep, with crowds seemingly more hell-bent than ever on getting close to this year’s 50-strong selection of the world’s fastest cars. You might think that in times like these, new candidates for the rarified end of the car market might be in short supply, but no chance. McLaren captured the early limelight by showing how fast the P1 could go (in the hands of Button and Perez) and supported it with the new GT Sprint, a 12C “developed and optimised exclusively for the track”.
The £60k Mexican-built Vühl gave proceedings a modern look, while in the new Wraith coupé Rolls-Royce seemed delighted to have a car whose performance justified inclusion in such company. Aston Martin ran the CC100 concept it unveiled five weeks ago at the Nürburgring, and ‘Jaguarness’ guru Mike Cross demonstrated both the Project 7 concept and his own unearthly skills at car control.
Yet it was two old Merc single-seaters — and their most famous driver — that made the biggest headlines. First off, in the Bonhams auction, the world’s only privately owned Mercedes W196, driven by Fangio in 1954, changed hands to an unknown buyer over the phone for £19.6 million, despite being “extensively patinated” and in need of a rebuild. Then Mercedes’ own W196 was driven on all three days by Hans Herrmann, Jackie Stewart and Nico Rosberg, with star appearances by Stirling Moss, who used one of these to win his first grand prix at Aintree.
Moss is an old man now, but no less a hero than he was 50-odd years ago when the papers were running daily medical updates following the accident that ended his career. It was truly heart-warming that every time he raised his arm from the W196 in languid salute to the crowd, five thousand arms waved back. This, everyone knew, is what Goodwood is about.