Top 10 best super-luxury cars 2019

Yet the precision feel and perfect weight of the car’s large-rimmed steering wheel is remarkable, likewise the ease with which you can place such a huge car on the road; the tolerance it has for whatever rate of progress suits your trip; the supreme refinement and flexibility of its V12 engine; and the progressiveness of its throttle pedal on step-off.

Even though it’s a near three-tonne love song to splendid isolation, this car will accelerate from 0-100mph and from 30-70mph through the gears quicker than the last Ford Focus RS. The integrity of its engineering is simply breathtaking.

The richest and most special car in what might be the most universally respected and admired limousine range in the world, the S650 is the modern standard-bearer for Daimler’s Maybach super-luxury brand.

To judge by appearances, you’d say it was at least as much S-Class as Maybach, and that’s the result of Daimler’s strategic decision, taken a few years ago, to broaden the reach of the Maybach marque by creating ‘halo’ Maybach models across some of its more normal Mercedes passenger car ranges. The ultra-rare, Simon Cowell-spec, Maybach-only 57 and 62 limousines were at the same time consigned to history.

And so that fact that this car is ‘only’ an S-Class may be at once its biggest strength and its key vulnerability. Compared to a Rolls-Royce or Bentley, an S-Class might not cut a lot of mustard for drool-worthy kerbside appeal; but being an S-Class also makes this car the recipient of the all those advanced active suspension and driver assistance technologies and helps to make it so brilliantly refined, rich and cosseting.

The S650's 621bhp, 737lb ft twin-turbocharged petrol V12 is barely audible, and its dedication to comfort and good manners is outstanding.

A limousine that’s singularly aristocratic, whose presence announces itself from hundreds of yards away and whose agenda is all about serving the interests of the passenger first and the driver a definite second may sound appealing in theory. But if you suspect the reality of ownership of such a car might not appeal quite as much, don't worry, because the super-luxury class has something for you too: the Bentley Mulsanne.

Deliberately more modest and discreet in its appearance than a certain key British limousine rival, the Mulsanne is a top-level luxury four-door that’s grand with a small g. It feels less formal than the Rolls-Royce Phantom, and its interior ambience is more like that of the paneled smoking room of an old gentleman’s club than the Phantom’s chandeliered ballroom. The material quality, the lustre and natural appeal of its wood veneers and the tactile allure of so many of its fittings are second to none.

A good helping of driver appeal has always been part of this big Bentley’s motive character. And so while the Mulsanne doesn’t ride quite as serenely as some of its closest competition, it handles and responds with more vigour and verve, thanks not least to its torquey turbocharged petrol V8.

What results is a car that may not hit quite the same luxury high-notes as the very best cars in the class, but that you might end up using more often: not just for special occasions, but because it feels ready to enrich a wider range of journeys.

Goodwood’s Marmite addition to the super-luxury segment arrived in 2018, in response to a significant amount of Rolls-Royce customer feedback that a more daily-usable, all-surface-capable, family-practical model would be a very welcome way to augment the firm’s showroom range.

The Cullinan has been met by enough criticism of its design, from all quarters, to have set in aspic a sense that its maker has taken a significant risk in introducing a car that some have described as awkward and unlovely and others have slammed in even less sympathetic terms. But if Rolls-Royce's market research holds true, and a year’s worth of confirmed orders is a good sign that it will, the collective revulsion of those who wouldn’t have bought a Cullinan anyway will do little to prevent it from becoming a commercial success.

There is certainly as much to like about life onboard this car as there might be to dislike about either the idea or the appearance of it. This is a true Rolls-Royce, and among its dynamic strengths are outstanding mechanical refinement, unimpeachable ride comfort and excellent drivability.

Height-adjustable air suspension and BMW-derived four-wheel drive gives the Cullinan all the off-road capability that many owners are likely to require, and while towing capacity is currently capped at 2.6 tonnes, it’s due to increase to a more fulsome 3.5 tonnes before long. Which is probably enough for a speedboat considerably more expensive than the car.

The Bentayga has had an eventful passage through the Autocar road test evaluation process. Being the first in a barrage of £100,000-plus super-SUVs to come to market in 2016, we first rated it highly, with a caveat or two, in W12-engined form, and then rated it higher still when Bentley introduced an Audi-sourced 4.0-litre, 429bhp turbocharged diesel V8 in 2017, which made exactly as much torque as the twelve-cylinder petrol motor but at more accessible crankspeeds.

Then, in 2018, amid the spreading toxicity surround diesel engines, Bentley removed the Bentayga Diesel from sale in Europe, and with it removed from view what we considered the definitive version of the car. A V8 petrol model augmented the model range in the same year, while a plug-in hybrid is due in 2019.

The Bentayga’s wonderfully plush interior, its swell of torque-laden performance and its sense of imperious, singularly enveloping luxury make it stand out even in this class, and these qualities might even be potent enough to win over a cynic who started out opposed to the idea of life in a blue-blooded SUV.

It isn’t quite as comfortable-riding or isolating as the Rolls-Royce Cullinan, offering instead a slightly more sporting driving experience that comes at the expense of that final shade of ride comfort. But a shade is all the Bentayga gives up – an occasional suggestion of headtoss and the merest fidget of fussiness over certain lumps and bumps at speed. Even as a luxury car regular, there’s every chance that you simply wouldn’t know what you were missing.

The Ghost was a line in the sand for Rolls-Royce when it appeared in 2009: the beginning of a transformation that took the company's annual production volume from hundreds of to several thousand cars per year.

Using mechanical underpinnings adapted from those of the BMW 7 Series, the Ghost made Rolls-Royce ownership more accessible – only slightly but significantly so. The management’s view now on the decision to use those BMW Group mechanicals may reasonably be imagined to differ somewhat from what it once was, since the next Ghost will move onto the same all-aluminium Rolls-Royce-only platform that the Phanton and Cullinan use.

While the Phantom is very much a car in which to be driven, the Ghost was intended as a car for the well-heeled driver, and its dynamic character reflects that. Slighter tauter-riding and more agile than the Phantom (partly by virtue of its more compact proportions), it lends itself more readily to the cut-and-thrust of daily motoring on traffic-clogged UK roads than its bigger brother.

In terms of interior space, luxury ambience and sheer material quality, the car is a rung below the Phantom, and perhaps not as clearly a cut above other large limousines as a result. Its rolling refinement, too, isn’t quite unmatched among cars of this ilk. But to admit either isn’t to dismiss this car’s impressive richness or esoteric charm.

The top-rung, long-wheelbase Range Rover has come a long way as a luxury car since the genesis days of the famous SUV upon which it’s based. The modern SVAutobiography, hand-finished as it is by Land Rover at its Special Operations base near Coventry, is a car that’s now fully 5.2 metres long and 2.6 tonnes in weight at its heaviest. It was conceived to take full advantage of the embryonic market for super-expensive SUVs and the high regard some have for the Range Rover brand, and it does so quite effectively.

Offering a choice of a petrol V8, a diesel V8 or a four-cylinder petrol plug-in hybrid powertrain, the SVAutobiography is a strict four-seater with ‘lounge’ rear chairs, around each of which you can arrange a fold-out aluminium tray table, while a sliding panoramic sunroof contributes to the remarkable senses of light and space onboard. The interior materials are more tactile and expensive than those of the standard Range Rover, too.

Ride comfort and isolation both also represent a step up from that car, although neither is quite in the league of the most refined cars in this niche; some sharper edges seem to test the structural limits of the car’s underbody, thudding through the ride composure slightly.  

The super-luxury four-seat convertible is a rare type of car indeed. Mercedes offers an open-top four-seat S-Class, while Bentley has had its Azure drop-top and now Continental GTC. But Rolls-Royce has, at times, offered more than one four-seater super-cabriolet within its model range over the last decade. And while the convertible version of the current-generation Phantom has yet to materialize, its equivalent from the smaller Ghost/Wraith model strata – the Dawn – remains very much a part of Goodwood’s model mix.

The company used uncharacteristically racey terms to describe this car when it was launched in 2016, billing it as “the sexiest Rolls-Royce ever built”. Whether you agree or not, there’s no denying the car’s blue-blooded credentials: it uses the same platform and 6.6-litre twin-turbocharged petrol V12 as the Wraith coupé, producing 563bhp and 575lb ft of torque, which is down from 624bhp in Wraith tune but still enough to eclipse the vitals of the earlier Phantom Drophead Coupé.

This doesn’t feel like a Wraith convertible to drive, and nor was it intended to. A soft-riding boulevardier at its best at a laid back, open-air cruise, the Dawn begins to feel its size and weight when you edge faster on a typical British A-road. It rolls and lolls more than the Wraith, thus urging you, in the most discreet of terms, that if your windswept back-seat passengers won’t thank you for slowing down a bit, the car’s contact patches certainly will.

Stick to what Goodwood described as a ‘social’ pace, however, and the Dawn’s isolation and comfort levels are very impressive indeed.

Bentley’s four-door Continental-series limousine started its modern life as the Continental Flying Spur in 2006, only dropping the prefix linking it with Crewe's two-door grand tourer as part of its biggest model overhaul to date in 2014.