And then there’s that other ‘C’ car, the Cobra. Back in the ’60s, the powerful and light Cobra had no problem dispatching all comers on American short race tracks. But Carroll Shelby, the Cobra’s creator, wanted more: he wanted to beat the best, which meant taking on Ferrari at an international level. The problem was that, at foreign circuits with long straights like Le Mans, you could have strapped a Redstone rocket to the back of Cobra and the much less powerful Ferrari 250 GTOs would still have come past on the straight. Putting it mildly, aerodynamics were not a Cobra strong point.
Which is why a young designer called Peter Brock was brought in to develop a new body for the Cobra and the Daytona coupé was born. Without using a single extra horsepower, the Daytona raised the Cobra’s top speed by over 30mph. They only failed to win the 1964 GT championship because the last round was at Monza, Italy so Enzo Ferrari had it cancelled. The next year Ferrari withdrew and the Daytonas won all bar two races.
The second reason this recreation of that car crept so far under my skin is that the same team who did the original was reunited to do this one. Peter Brock designed it, Bob Negstad – who’d done the chassis for the 427 Cobra – looked after the suspension and Bob D C Olthoff, nearly 40 years on, was its development driver. The only missing man is Shelby himself, whose sole involvement in the project to date was to impound the first one imported into the US. But, dislike the car as he does, he has not been able to stop it. It’s built by Superformance in Port Elizabeth. The body, made of an advanced glass-reinforced plastic called Vinylester, is slightly bigger than, and has no panels in common with, the original it so closely resembles. It has a spaceframe chassis, and where the Cobra used a leaf spring suspension design that was archaic 40 years ago, the recreation deploys rose-jointed double wishbones at each corner.
Power could only come from Ford unit, but instead of using the modern, four-cam Mustang V8 like the Ford GT, this engine is the real deal, pushrods and all. It’s a 6.6-litre Windsor block put into race specification by Roush Engineering and fed by one colossal four-barrel Holley carb sitting between the Vee. Just as it should be. Power is rated at 501bhp which, with a 1250kg kerbweight, gives it a fulsome 401bhp per tonne. And that’s before you consider the 590lb ft of torque at your disposal.
The interior is a work of art. Every detail is just right, from the black dash and chrome surrounds for every instrument and vent, to the chicane-shaped gearlever with the recess on top for your thumb. There are beautiful Stewart Warner dials everywhere and banks of perfect little aircraft switches to play with.
To start it, you have not only to turn the key but also flick on the fuel pump and press the starter. With barely silenced exhausts, it was unlikely to be quiet but the noise still doubles your heart rate in an instant. You’re listening to the heart of Motor City at its angriest and most inspirational.
The gearbox has six speeds, which is a little disappointing – four would be more fitting – but its slow, mechanical action is just right. All the pedal weights are ridiculously and appropriately heavy and the engine won’t pull below 2000rpm. And so it shouldn’t. Get above this mark and it dispatches raging torrents of power, sufficient to dilate the pupils of the most seasoned road tester. It’s claimed to hit 60mph in 3.9sec and 100mph in 8.2sec, but if the gearchange were not so slow and the gearing such that it would do over 60mph in first and 100mph in second, you’d be looking at times of around 3.5 and 7.5sec. In the gears it feels as fast as any road car I’ve driven this side of a McLaren F1, unequivocally in the Merc SLR/Ford GT bracket, quite possibly beyond. Top speed? Superformance estimates 210mph and apparently one brave tester has logged a genuine 207mph in South Africa. In short, fast enough.